Thuistezien 54 — 15.05.2020
No View, The Radio VI
Your Feeling
Genevieve Murphy
Today we proudly present the first single and video of I Don’t Want To Be An Individual All On My Own, a new album by composer Genevieve Murphy. An exclusive release for Thuistezien by West Den Haag and SPRING on Screen by SPRING Performing Arts Festival Utrecht.
On this album, experimental song writing alternates with resonating soundscapes. Murphy investigates what attracts us and what repels us through her intelligent sonic narratives. In the theater performance, bearing the same name, Murphy will extend this research into the realm of everyday social life. How relatable should one be in order to be seen and understood?
Genevieve Murphy (Scotland, 1988) studied music and composition at the conservatoirs of Glasgow, Birmingham and The Hague. Murphy is a composer of contemporary classical music with influences of pop music and improvisation. Her pieces have been performed by ensembles all over the world. As an upcoming performing artist in theatre, she combines her musical compositions with theatrical narratives and visual art.
Video Director: Julian Hetzel
Music and performance: Genevieve Murphy
Drums: Henning Luther
Electronic Beats: Le Schnigg
Mixing and Mastering: Gary Shepherd
Dramaturg: Nienke Scholts
Portrait photo: Vera Rijks
Commissioners: SPRING Performing Arts Festival, West Den Haag
With the support of: Nicole Beutler Projects
The music album will be released on the Unsounds label for contemporaray sound art, with the support of Gaudeamus. The theatre performance I Don’t Want To Be An Individual All On My Own was scheduled to premiere at SPRING Performing Arts Festival this May and will hopefully be rescheduled to open this fall. The performance is a Nicole Beutler Projects production, with the support of Standplaats Utrecht and Fonds Podiumkunsten.
Overview episodes No No View, The Radio
I. House Flood — Sholto Dobie
II. Heaps — Saber Rider
III. Detached [ but Interconnected ? ) — Alexandropoulos–McEwan & Sasha Zalivako
IV. Salon Gout — Wanda Group
V. West jam — Goze
VI. Your Feeling — Genevieve Murphy
VII. Katilluik and the Warp — Bill Orcutt
VIII. YSTERA — Tzitzifriki[a]
IX. The Moon, the Bear and the Princes — Orphan Fairytale & Katja Louisa Stonewood
X. Look in all directions — Yeah You
XI. Uileboombox — Lyckle de Jong
XII. Pane, Both Sides — Edgars Rubenis
XIII. Touching a Mountain — Katherina Heil & Rik Möhlmann
XIV. On the Platform — Booker Stardrum + Chris Williams
XV. Stalingrad 1917 — The Rebel
XVI. Rainbow Bits — City Dragon
XVII. You Would Sound Much More Convincing If You Spoke As If You Cared — Horse Whisperer & Anna Danielewicz
XVIII. Rehearsal 06.08.2020 — Kurws
XIX. Planetary Synchronicity 2 — Alexander Johannes Heil
XX. Leaks — Soft Tissue
XXI. Realistik Soap — Cindy Lee
XXII. Stand Your Ground and Hold Water — ch
XXIII. 00 03 58 23 — Farida Amadou
XXIV. Western Front — Sarah Davachi
XXV. Protection from City Planning — Wendy Eisenberg
XXVI. Tone Cloud — Tsev
XXVII. This Could Be Any Day — Comfort
XXVIII. Hypocrisies of Improv — Kevin Shea
XXVIV. Number One — Sasha Zalivako
XXX. Selten gehörte Hausmusik — Black to Comm
XXXI. Improvisation on ‘An Air Swept Clean of All Distance’ — Rhodri Davies
XXXII. Paradoxes — Mariam Rezaei
XXXIII. Untitled — Tongue Depressor
XXXIV. Tara Clerkin Trio — Tara Clerkin Trio
XXXV. Wrens sing all the winter through, frost excepted — Ernest Vilsons
XXXVI. Sticky — Still House Plants
XXXVII. For West Den Haag — David Fenech + Klimperei
XXXVIII. Summer Of Love — Watkins/Peacock
XXXVIV. The Turn Things Take — John Butcher
XXXX. Unsound Body — Emile Van Helleputte
XXXXI. Non Human Logic — Helena Celle
XXXXII. Lost in Deep Taiga — Abiboss
XXXXIII. Ultramix — Skrot Centralen
XXXXIV. Sonic Cartographies for Plotters #1 — Sébastien Robert
XXXXV. Measuring your Metaphysics & Removing our Aesthetics — The Modern Institute
XXXXVI. Sinisen Ruusun Tapaus — Cucina Povera
XXXXVII. Another One of Those Human-Type Situations (Parts 1 & 2) — Chris Corsano
XXXXVIII. Bedroom Jam-Type Situations — Manos Plitsis
On this album, experimental song writing alternates with resonating soundscapes. Murphy investigates what attracts us and what repels us through her intelligent sonic narratives. In the theater performance, bearing the same name, Murphy will extend this research into the realm of everyday social life. How relatable should one be in order to be seen and understood?
Genevieve Murphy (Scotland, 1988) studied music and composition at the conservatoirs of Glasgow, Birmingham and The Hague. Murphy is a composer of contemporary classical music with influences of pop music and improvisation. Her pieces have been performed by ensembles all over the world. As an upcoming performing artist in theatre, she combines her musical compositions with theatrical narratives and visual art.
Video Director: Julian Hetzel
Music and performance: Genevieve Murphy
Drums: Henning Luther
Electronic Beats: Le Schnigg
Mixing and Mastering: Gary Shepherd
Dramaturg: Nienke Scholts
Portrait photo: Vera Rijks
Commissioners: SPRING Performing Arts Festival, West Den Haag
With the support of: Nicole Beutler Projects
The music album will be released on the Unsounds label for contemporaray sound art, with the support of Gaudeamus. The theatre performance I Don’t Want To Be An Individual All On My Own was scheduled to premiere at SPRING Performing Arts Festival this May and will hopefully be rescheduled to open this fall. The performance is a Nicole Beutler Projects production, with the support of Standplaats Utrecht and Fonds Podiumkunsten.
About the series: No View, The Radio
The arts are taking a break. Theaters, museums, concert halls and galleries are closed. To a large extent, the art that is so desperately needed right now is inaccessible. Imagine being quarantined at home without films, without books, without music. Though we may not access the art, we can still think about it. The enforced rupture of this isolation can also be an opportune moment to reflect on and from, the arts. Every Friday for the upcoming weeks we will showcase original musical works by different artists, selected by Alex Andropoulos.
The arts are taking a break. Theaters, museums, concert halls and galleries are closed. To a large extent, the art that is so desperately needed right now is inaccessible. Imagine being quarantined at home without films, without books, without music. Though we may not access the art, we can still think about it. The enforced rupture of this isolation can also be an opportune moment to reflect on and from, the arts. Every Friday for the upcoming weeks we will showcase original musical works by different artists, selected by Alex Andropoulos.
Overview episodes No No View, The Radio
I. House Flood — Sholto Dobie
II. Heaps — Saber Rider
III. Detached [ but Interconnected ? ) — Alexandropoulos–McEwan & Sasha Zalivako
IV. Salon Gout — Wanda Group
V. West jam — Goze
VI. Your Feeling — Genevieve Murphy
VII. Katilluik and the Warp — Bill Orcutt
VIII. YSTERA — Tzitzifriki[a]
IX. The Moon, the Bear and the Princes — Orphan Fairytale & Katja Louisa Stonewood
X. Look in all directions — Yeah You
XI. Uileboombox — Lyckle de Jong
XII. Pane, Both Sides — Edgars Rubenis
XIII. Touching a Mountain — Katherina Heil & Rik Möhlmann
XIV. On the Platform — Booker Stardrum + Chris Williams
XV. Stalingrad 1917 — The Rebel
XVI. Rainbow Bits — City Dragon
XVII. You Would Sound Much More Convincing If You Spoke As If You Cared — Horse Whisperer & Anna Danielewicz
XVIII. Rehearsal 06.08.2020 — Kurws
XIX. Planetary Synchronicity 2 — Alexander Johannes Heil
XX. Leaks — Soft Tissue
XXI. Realistik Soap — Cindy Lee
XXII. Stand Your Ground and Hold Water — ch
XXIII. 00 03 58 23 — Farida Amadou
XXIV. Western Front — Sarah Davachi
XXV. Protection from City Planning — Wendy Eisenberg
XXVI. Tone Cloud — Tsev
XXVII. This Could Be Any Day — Comfort
XXVIII. Hypocrisies of Improv — Kevin Shea
XXVIV. Number One — Sasha Zalivako
XXX. Selten gehörte Hausmusik — Black to Comm
XXXI. Improvisation on ‘An Air Swept Clean of All Distance’ — Rhodri Davies
XXXII. Paradoxes — Mariam Rezaei
XXXIII. Untitled — Tongue Depressor
XXXIV. Tara Clerkin Trio — Tara Clerkin Trio
XXXV. Wrens sing all the winter through, frost excepted — Ernest Vilsons
XXXVI. Sticky — Still House Plants
XXXVII. For West Den Haag — David Fenech + Klimperei
XXXVIII. Summer Of Love — Watkins/Peacock
XXXVIV. The Turn Things Take — John Butcher
XXXX. Unsound Body — Emile Van Helleputte
XXXXI. Non Human Logic — Helena Celle
XXXXII. Lost in Deep Taiga — Abiboss
XXXXIII. Ultramix — Skrot Centralen
XXXXIV. Sonic Cartographies for Plotters #1 — Sébastien Robert
XXXXV. Measuring your Metaphysics & Removing our Aesthetics — The Modern Institute
XXXXVI. Sinisen Ruusun Tapaus — Cucina Povera
XXXXVII. Another One of Those Human-Type Situations (Parts 1 & 2) — Chris Corsano
XXXXVIII. Bedroom Jam-Type Situations — Manos Plitsis