Sarah Davachi is a Canadian pianist and organist employing classical aesthetics and techniques to create emotionally rich soundscapes and compositions. Her affinity for the capability of the instruments grants her a diverse pallet on very minimal instrumentation, and the pacing of the pieces often being slow and steady lets the listener in on these subtleties, triggering an array of sonic and emotional experiences. The piece ‘Western Front (excerpt)’ is a perfect example of her ambient work, through which the music takes on almost sculptural properties, influencing the perception of space and, due to it’s timelessness and weight, gives the impression it would remain in the space even after the audience’s departure. This feeling is heightened further when combined with the images of the sculptures remaining in place, as they always will, even with the space empty, the lights turned off and the doors locked.