Thuistezien 102 — 16.10.2020
No View, The Radio XXII
Stand Your Ground and Hold Water
ch
For this publication of the series No View, The Radio, the experimental duo ch have created their new and original piece 'Stand Your Ground and Hold Water', an improvisation consisting of voice processing, sampling, sound collage and more.
ch consists of Tisa Neža Herlec and Linus Bonduelle, both of whom are music makers and visual artists based in Rotterdam. Tisa Neža Herlec's musical work is primarily focused on the voice and its use of language, the shifting of meaning of words and language through vocal manipulations. Linus Bonduelle's musical work is focused on field recordings, the alternative use of musical instruments and the manipulation and enhancement of the two. The combination of the above results in shifted perceptions of space, and the physicality of the voice.
In the artists own words: ‘ch is Tisa Neža Herlec and Linus Bonduelle, a compound as fresh as a daisy on a spring morning alm. Back pockets and ear sockets filled with sound already, they figure out what gifts to give each other — figuring out being what it’s all about of course. This early session turned into a meditation on the jug, or, as Martin H. has it, on that which holds water. And so ideas are held to the light only to see they're double-sided and shrill – something's leaking. It drips on this metal rusty plate with holes and wires that they call 'earth', and where these two haven't landed just yet. Give it a go, don't budge, pour over.’
Overview episodes No No View, The Radio
I. House Flood — Sholto Dobie
II. Heaps — Saber Rider
III. Detached [ but Interconnected ? ) — Alexandropoulos–McEwan & Sasha Zalivako
IV. Salon Gout — Wanda Group
V. West jam — Goze
VI. Your Feeling — Genevieve Murphy
VII. Katilluik and the Warp — Bill Orcutt
VIII. YSTERA — Tzitzifriki[a]
IX. The Moon, the Bear and the Princes — Orphan Fairytale & Katja Louisa Stonewood
X. Look in all directions — Yeah You
XI. Uileboombox — Lyckle de Jong
XII. Pane, Both Sides — Edgars Rubenis
XIII. Touching a Mountain — Katherina Heil & Rik Möhlmann
XIV. On the Platform — Booker Stardrum + Chris Williams
XV. Stalingrad 1917 — The Rebel
XVI. Rainbow Bits — City Dragon
XVII. You Would Sound Much More Convincing If You Spoke As If You Cared — Horse Whisperer & Anna Danielewicz
XVIII. Rehearsal 06.08.2020 — Kurws
XIX. Planetary Synchronicity 2 — Alexander Johannes Heil
XX. Leaks — Soft Tissue
XXI. Realistik Soap — Cindy Lee
XXII. Stand Your Ground and Hold Water — ch
XXIII. 00 03 58 23 — Farida Amadou
XXIV. Western Front — Sarah Davachi
XXV. Protection from City Planning — Wendy Eisenberg
XXVI. Tone Cloud — Tsev
XXVII. This Could Be Any Day — Comfort
XXVIII. Hypocrisies of Improv — Kevin Shea
XXVIV. Number One — Sasha Zalivako
XXX. Selten gehörte Hausmusik — Black to Comm
XXXI. Improvisation on ‘An Air Swept Clean of All Distance’ — Rhodri Davies
XXXII. Paradoxes — Mariam Rezaei
XXXIII. Untitled — Tongue Depressor
XXXIV. Tara Clerkin Trio — Tara Clerkin Trio
XXXV. Wrens sing all the winter through, frost excepted — Ernest Vilsons
XXXVI. Sticky — Still House Plants
XXXVII. For West Den Haag — David Fenech + Klimperei
XXXVIII. Summer Of Love — Watkins/Peacock
XXXVIV. The Turn Things Take — John Butcher
XXXX. Unsound Body — Emile Van Helleputte
XXXXI. Non Human Logic — Helena Celle
XXXXII. Lost in Deep Taiga — Abiboss
XXXXIII. Ultramix — Skrot Centralen
XXXXIV. Sonic Cartographies for Plotters #1 — Sébastien Robert
XXXXV. Measuring your Metaphysics & Removing our Aesthetics — The Modern Institute
XXXXVI. Sinisen Ruusun Tapaus — Cucina Povera
XXXXVII. Another One of Those Human-Type Situations (Parts 1 & 2) — Chris Corsano
XXXXVIII. Bedroom Jam-Type Situations — Manos Plitsis
ch consists of Tisa Neža Herlec and Linus Bonduelle, both of whom are music makers and visual artists based in Rotterdam. Tisa Neža Herlec's musical work is primarily focused on the voice and its use of language, the shifting of meaning of words and language through vocal manipulations. Linus Bonduelle's musical work is focused on field recordings, the alternative use of musical instruments and the manipulation and enhancement of the two. The combination of the above results in shifted perceptions of space, and the physicality of the voice.
In the artists own words: ‘ch is Tisa Neža Herlec and Linus Bonduelle, a compound as fresh as a daisy on a spring morning alm. Back pockets and ear sockets filled with sound already, they figure out what gifts to give each other — figuring out being what it’s all about of course. This early session turned into a meditation on the jug, or, as Martin H. has it, on that which holds water. And so ideas are held to the light only to see they're double-sided and shrill – something's leaking. It drips on this metal rusty plate with holes and wires that they call 'earth', and where these two haven't landed just yet. Give it a go, don't budge, pour over.’
About the series: No View, The Radio
The arts are taking a break. Theaters, museums, concert halls and galleries are closed. To a large extent, the art that is so desperately needed right now is inaccessible. Imagine being quarantined at home without films, without books, without music. Though we may not access the art, we can still think about it. The enforced rupture of this isolation can also be an opportune moment to reflect on and from, the arts. Every Friday for the upcoming weeks we will showcase original musical works by different artists, selected by Alex Andropoulos.
The arts are taking a break. Theaters, museums, concert halls and galleries are closed. To a large extent, the art that is so desperately needed right now is inaccessible. Imagine being quarantined at home without films, without books, without music. Though we may not access the art, we can still think about it. The enforced rupture of this isolation can also be an opportune moment to reflect on and from, the arts. Every Friday for the upcoming weeks we will showcase original musical works by different artists, selected by Alex Andropoulos.
Overview episodes No No View, The Radio
I. House Flood — Sholto Dobie
II. Heaps — Saber Rider
III. Detached [ but Interconnected ? ) — Alexandropoulos–McEwan & Sasha Zalivako
IV. Salon Gout — Wanda Group
V. West jam — Goze
VI. Your Feeling — Genevieve Murphy
VII. Katilluik and the Warp — Bill Orcutt
VIII. YSTERA — Tzitzifriki[a]
IX. The Moon, the Bear and the Princes — Orphan Fairytale & Katja Louisa Stonewood
X. Look in all directions — Yeah You
XI. Uileboombox — Lyckle de Jong
XII. Pane, Both Sides — Edgars Rubenis
XIII. Touching a Mountain — Katherina Heil & Rik Möhlmann
XIV. On the Platform — Booker Stardrum + Chris Williams
XV. Stalingrad 1917 — The Rebel
XVI. Rainbow Bits — City Dragon
XVII. You Would Sound Much More Convincing If You Spoke As If You Cared — Horse Whisperer & Anna Danielewicz
XVIII. Rehearsal 06.08.2020 — Kurws
XIX. Planetary Synchronicity 2 — Alexander Johannes Heil
XX. Leaks — Soft Tissue
XXI. Realistik Soap — Cindy Lee
XXII. Stand Your Ground and Hold Water — ch
XXIII. 00 03 58 23 — Farida Amadou
XXIV. Western Front — Sarah Davachi
XXV. Protection from City Planning — Wendy Eisenberg
XXVI. Tone Cloud — Tsev
XXVII. This Could Be Any Day — Comfort
XXVIII. Hypocrisies of Improv — Kevin Shea
XXVIV. Number One — Sasha Zalivako
XXX. Selten gehörte Hausmusik — Black to Comm
XXXI. Improvisation on ‘An Air Swept Clean of All Distance’ — Rhodri Davies
XXXII. Paradoxes — Mariam Rezaei
XXXIII. Untitled — Tongue Depressor
XXXIV. Tara Clerkin Trio — Tara Clerkin Trio
XXXV. Wrens sing all the winter through, frost excepted — Ernest Vilsons
XXXVI. Sticky — Still House Plants
XXXVII. For West Den Haag — David Fenech + Klimperei
XXXVIII. Summer Of Love — Watkins/Peacock
XXXVIV. The Turn Things Take — John Butcher
XXXX. Unsound Body — Emile Van Helleputte
XXXXI. Non Human Logic — Helena Celle
XXXXII. Lost in Deep Taiga — Abiboss
XXXXIII. Ultramix — Skrot Centralen
XXXXIV. Sonic Cartographies for Plotters #1 — Sébastien Robert
XXXXV. Measuring your Metaphysics & Removing our Aesthetics — The Modern Institute
XXXXVI. Sinisen Ruusun Tapaus — Cucina Povera
XXXXVII. Another One of Those Human-Type Situations (Parts 1 & 2) — Chris Corsano
XXXXVIII. Bedroom Jam-Type Situations — Manos Plitsis